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Drum hits, one-shots, a few loops. Open in any DAW.Recording. Mix. Master. Each stage names the box, the plug-in, and the number that matters.
Bajo quinto tracked on the SM57, single take, no edits. Tuba on the TLM 103, two-mic blend with an SM57 close on the bell. Drums are live: kick, snare, tarola.
LA-2A on the vocal at 6 dB gain reduction. Pro-Q3 cut at 320 Hz on the bajo quinto to clear the vocal. Vintage Verb on Concert Hall, 2.6 s tail.
Limited to -1 dBTP. Print at -10 LUFS short-term, -13 LUFS integrated.
Live kick recorded at 88 BPM, two-mic blend (D6 in, U47 FET out).
Live tarola, single mic, gated at -28 dB threshold.
Hi-hat brush, recorded with a pair of KM 184s at 18 inches.
Hand-claps and rim-shot loop at 88 BPM, printed through a 1176 at 4:1.
Tuba on E1, low-pass at 240 Hz on the recorded take.
Bajo sexto sub-octave samples, attack 24 ms.
· Bajo quinto (live)
· Requinto (live)
· Tuba (live counter-line)
Em — D — Am — B7. Held two bars each over a 16-bar verse.
E minor with a major V7 lift. Bajo quinto plays the rhythm; requinto plays the melody on bars 3 and 4.
VintageVerb on Concert Hall, 2.6 s tail, pre-delay 28 ms.
EchoBoy at 1/4 dotted on the requinto, 18% feedback, tape mode: Studio.
Push the vocal +1.5 dB on the chorus. Drop the tuba -2 dB on the verse so the bajo quinto reads cleaner.
Target the master loudness on the chorus. Let the verse breathe.
Streaming-grade target. Push short-term louder on the drop.
Set FabFilter Pro-L 2 lookahead to 1.2 ms. Print at 24-bit WAV.
Five-piece companion: presets, the kit, and the MIDI grids that sit under the chain. Save $16 versus buying each piece à la carte.
Diva · Felt Hammer
Repro-1 · Cassette Heart
Kit · Roma Norte 2AM
MIDI · Upright bass walks
One-time. Royalty-free. Save $16 versus à la carte.
Every recipe ships with the kits that built it — 24-bit WAV stems, MIDI grids, and the preset banks we used.
